Category: Screenwriting

  • What Really Motivates Your Characters, and YOU?

    ferocious little cat by boogy_man at sxc.hu
    Requisite cat image. Bring it on, web traffic!

    Do you want to change yourself? If so, you look to examples of other people who have. Some of these people don’t exist, but they are real to you anyway.

    That’s right, I’m talking about books, movies, videogames, and stories of all kinds.

    Most big stories involve character change. We recognize that change is a part of life – a part of life that should be handled as intentionally as possible.

    There are 3 layers to characters. They mirror reality in how well we know the men and women who pass by and interact with us each day. I’ll give examples for each to show how simple, yet deep, this is.

    1. One Dimensional – Just the facts.

    Do I really need to describe it when I can just show you instead?

    I am a writer and I write. The butcher chops meat. The student studies. The jock wrestles varsity in the heavyweight class.

    2. Two Dimensional – There is a reason behind the action.

    Everybody does what they do for a reason.

    I am a cop because my father was a cop. I start businesses to make a profit because I grew up in a poor household, and don’t want my family to suffer like I did. I volunteer at a homeless shelter because I want to help those who have nothing.

    3. Three-Dimensional – There is a purpose that justifies my reasoning.

    Now you’re getting somewhere. Now we not only see the reason behind the action, but the reason for the reason. At this level, you start to really know/love/hate a person.

    I bribe people to pass laws that favor me because I don’t want any competition – I am afraid that if other people could compete on the same level as me, the world would find out that I’m not really that smart/wise/creative/competent/superior-by-birth.

    I start businesses to make a profit because I don’t want my family to grow up poor like I did – because being trapped and powerless is scarier than death, and I would not wish it on anyone.

    I read the Bible every day, even though it sometimes confuses me, because I realize the Being who cares more for me than anyone else is God; pursuing the only relationship that really matters will bring the most fulfillment.

    It’s the key to great heroes and villains.

    We don’t have time to give every person on the street three dimensions. Way too much to keep track of. Somewhere in an underground base, a government computer is short-circuiting.

    Nor can stories have all three dimensional characters, at least not without it being a very small world (Tom Hanks in Castaway is a good example). We need first, second, and third dimension characters.

    In the end, the story is about the third-dimensional character. That’s the guy with the sword who we identify with. That’s the lady with the bow and arrow.

    The problem is that we often don’t allocate the time to see our own selves as three dimensional characters. Yet we absolutely must if we want to experience the same level of change that we see as necessary – and crave in our favorite stories.

    Change is Good

    For a long time, psychology treated these underlying our motivations as tracks that have already been laid by past experiences. They couldn’t be changed. While it’s true that we can’t undo the past, it is a lie to believe that what happened to you in the past will shape and determine the rest of your life.

    Many of the great stories either involve a hero accomplishing his goal despite everything set against them, or a character who goes through a change.

    The deeper the change, the more powerful your story.

    So What About You?

    Think back to the last time you made a mistake with your job. If you’re anything like me, you don’t have to think back too far. 🙂

    First dimension: What did you do?

    Second dimension: Why did you do it?

    Third dimension: Why was your answer in the second dimension so important that you acted out?

    Example:

    I took 20 minutes with my break instead of 15.

    Why? Because the boss makes me work later.

    Why do you think he’s making you work later? Because I’m too afraid to say no to her. What if I get fired?!

    So, in this example, taking a longer break would allow you to express just enough discontent to not get fired, but enough to vent your frustrations and feel like you’re getting SOME of your time back. Right?

    If you had a character in a book that did this, and the author articulated exactly why they did it, you would totally understand and relate. You’d read on to know more about this character even if nothing has happened yet.

    By understanding the deeper motivations, and then choosing to script your own deeper motivation, you’ll become more effective.

    Eventually, you’ll come to the conclusion that you need to establish some boundaries, but in a helpful and tactful way. And if getting fired is still a concern, then you’ll ask why and learn that IF you get fired – yes – it will suck. But you know what? If you’re tough enough to have a difficult conversation with your boss, you’re also tough enough to find a better job. Chances are, it won’t even get that far anyway.

    The Third Dimension is Tough!

    You’ll look in the wrong places. You’ll probably have to think. You may even need to talk it over with trusted advisers or friends. In my opinion, that’s what trusted advisers are for.

    When you find a better third dimension, you’ll have a better second dimension, and therefore, you’ll take more effective actions.

    In the end, your own life will be a story worth telling.

    Have you ever seen yourself as a third dimensional character? How do you think it will change the way you interact with the world around you? Let me know in the comments!

  • How to Select a Target Audience For Your Work Without ‘Limiting Yourself’

    On Target by LarryLens at sxc.hu
    On Target by LarryLens at sxc.hu

    Let’s talk about TV for a moment.

    There are lots of shows out there. Since Netflix, most off-air shows are available at the touch of a button (still waiting on The Waltons, Netflix – get on it!).

    Even if you screen out all the stuff that came out yesterday, there’s still so much coming out. You’d never be able to watch everything even if you tried. Even if you pulled it off, you’d go into overload and not have enough energy or time to reflect on what you saw.

    Now take TV, and add Books, Blogs, Magazines, Music, Education courses. If you’re anything like me, you could major in about 20 different subjects if money and time weren’t an issue.

    But money and time ARE an issue.

    So you filter it all out. If something doesn’t apply to you and your situation – you’re not going to pay attention to. You  don’t have time for anything else.

    Yet you are aren’t likely to find anything put together for your exact situation.

    As a consumer, you have to take what applies mostly to you, and run with it.

    As a producer, you aren’t going to write a self-help book for a young, professional Asian American in west L.A. trying to date a Christian recording studio engineer in his late 30’s. See what I mean? If you wrote that book, and it actually reached that one person, you’ve spent $1000-$3000+ and made back $15.

    What’s a producer to do?

    How do you create something that a large group of people will buy, enjoy, and share with their friends, without your hard work getting ignored by everyone?

    Here are a few things you can look for:

    •  All people have universal needs, fears, and desires
    • All people have underlying motivations for their desires
    • All people have social pressures pushing them this way and that
    • All people have different experiences, results, and feedback from their actions, and varying levels of awareness about why they are in their current situation

    These apply to everyone. Yet they won’t be the same for every person out there.

    • The woman who wants to be beautiful in order to get a career as a model will have a different underlining motivation than another woman who just loves running after work.
    • An elderly person who desires security want a gun in their home in case an intruder breaks in and attacks them. That same person, if they grew up in a bad neighborhood on the outskirts of town, may instead prefer renting an apartment next door to a police station.
    • The high school student, pushed into a medical degree by their parents, will have different motivations than another graduate who reads books on anatomy and physiology for fun.

    If you’re writing for the woman who wants to be a model, you will use the type of words she uses. You’ll illustrate what it will look like when she is on the cover of Marie Claire, and how eating green vegetables will make her skin glow.

    The student pushed into studying medicine will appreciate guides on how to get through the tough courses with as little effort and time as possible. You’ll talk about how proud their family will be, and show how they can do whatever they really want on the side, while they use their medical career to finance their dream life.

    Or you’ll go the other way and write a book that helps him tell his parents to ‘eat their shorts’.

    When you know you WHO are writing to, you’ll know

    • What you’re main character will look like (even nonfiction books have characters)
    • How they talk
    • What they dream about
    • What they are afraid of
    • What questions they will ask on each step of the journey

    By then, you may even know what makes them laugh!

    By getting specific, the people who you are writing to will feel like you are writing TO them. At the same time, you won’t be vague. You’ll cut through the clutter. And your work will get the attention it so richly deserves.

  • Why Theme Still Matters, Even In Escapist Entertainment

    You may not see the thread, but without it, you got nothing.
    brocade by michaelaw at sxc.hu

    Pictures are for entertainment; messages should be delivered by Western Union – Samuel Goldwyn (of MGM)

    If you’re writing a sermon, shame on you if there isn’t some sort of takeaway.

    If your ads need to sell product, the theme should communicate that your product solves a deep-rooted need within.

    Writing for entertainment is different. Novels, Videogames, and Movies are all escapist mediums. With those, we want to be entertained, to ‘get away’ from our present situations.

    When that’s your objective, the idea that we might have to do something lates makes it more difficult to relax.

    In this case, theme needs to be almost invisible. But that doesn’t make it less important. If anything, it makes theme more crucial.

    Theme Helps Answer Most of Your Pre-First Draft Questions

    Without theme, it’s difficult to make the key decisions necessary to shape your story.

    • Which characters are the best ones to tell the story?
    • Why would a city be a better setting than an isolated island?
    • Would a funeral be a better place for a family fight than a graduation party?
    • What should your conflict be about?

    I kind of knew what my theme was about when I started writing my current book: The search for truth is difficult, and takes multiple attempts, but it is worth it in the end.

    Theme needs to be communicated by the characters actions. Doing so only with words will turn people off.

    In real life, we have enough people telling us one thing, while doing another – that doesn’t resonate with us.

    How Theme Guided My Decisions

    The search for truth is difficult, and takes multiple attempts, but it is worth it in the end.

    With this theme in mind, I knew that one character had to go through this journey. Difficult, disempowering lies needed to grab hold of my main character.

    Then, the opposite:

    There had to be another character who NEVER did this soul searching, but seemed to have control of everything and everyone. Eventually, the main character needed to surpass this unmoving dinosaur – forever set in their ways.

    There also had to be other characters who either weren’t aware or thought the search was a waste of time.

    Is my theme the same as what it will be when the whole thing is finished? Mostly.

    Over time, I will refine it. That’s a big part of writing and rewriting.

    For me, not knowing your theme until your finished is like using a scalpel to turn a kangaroo into Miss Universe – there will be a lot of deep cuts, and there’s a high chance it won’t work.

    You can still communicate your message – and Tell A Great Story

    If you don’t want people’s lives to be different, you don’t really have anything to say. There’s nothing to talk about.

    Even if your story makes no change whatsoever, the thought that it could may give you the juice needed to follow through with your project to the end.

    Not every writer does it this way – it’s only how I do it.

    A few writers, after many false starts and hundreds of revisions, can make a good story without knowing their theme at the beginning. Even then, they likely refined their craft and subconsciously had an idea of it anyway.

    Is it obvious to you when someone is trying to communicate a theme in a story? Has it ever made you love a story more? Less? Let me know in the comments…